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But the house owners did not get on the renovation and reimagining of their 2,418-sq.-foot abode by yourself. Just one of Lacey’s best pals, fellow storytelling business director and designer Claire Thomas, led the interior style venture, with Rendell lending a hand on a own interest, carpentry. “It is very astonishing I fell so deeply in enjoy with the house from the preliminary listing photos,” says Lacey. “What I did see past the chocolate brown painted ceilings and stone tile bathrooms was a seriously distinctive post-and-beam architectural treehouse with floor-to-ceiling windows that invite in the attractive, secured canyon views.” Claire and Lacey manufactured it their occupation to return the home—originally made by surfer-turned-architect Matt Kivlin—to its real character.
Just after: “From a structure perspective, opening it up was a no-brainer,” claims Lacey of the kitchen area, which now flows into the dining and residing areas, complete with a fireplace that pays homage to the first with glazed brick-like Fireclay tile. “What’s exclusive about the house are the sights, and all the things should really be celebrating those people. Now we can be cooking and wanting out at the outdated sycamores and oaks, or capture deer coming down the hillside.” The family’s new kitchen features a Concrete Collaborative waterfall terrazzo counter with white oak cupboards painted a personalized ochre shade by Reform.
The late ’50s, to Claire, evoke earthy California tones of marigold and avocado. And in fact a environmentally friendly, brown, yellow, and orange palette was solidified early on when she received at auction a collection of classic Swissair posters depicting numerous aerial landscapes in those colors. “They linked with that total aesthetic we were trying to hit—really earthy California canyon, late ’50s, early ’60s references with planet traveler electricity,” says Claire.
Soon after: The dining room turns a typical midcentury silhouette on its head thanks to People Project’s classic eating chairs, which are upholstered in Guatemalan huipils. Stripping the ceiling beams of their dim brown paint breathed new lifetime into the open-approach living place embraced by foliage.
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